Low-brass sections responsible
for significant amount of world's greenhouse gases, report states
The
United Nation's Environmental Organization, in conjunction with
it's International Cultural Committee, recently released a report
claiming that the
world's trombone, tuba and euphonium players are currently responsible
for nearly
18% of Earth's global warming.
CO2
and methane are natural by-products of low-brass players the
world over and copious amounts of their gaseous excretions are expelled
daily adding up to literally tons of greenhouse gases being introduced
into the atmosphere each year. Methane is of particular
concern since, while less abundant, it is over 20 times
more efficient than CO2
at trapping infrared radiation through the
“greenhouse” process.
Digestion
in both animals and people produces methane gas as a result of
bacteria reducing food matter to nutrient and caloric forms which are more readily useful to
the body. Trombone and tuba players, having four stomachs,
create far more of the gas than other musicians. In fact,
the report noted that even though they make up just 5% of an orchestra by number, up to 75%
of all musically-related methane comes from the low-brass section,
predominantly during the final movement of Mahler
symphonies.
Notable
exceptions include Mahler's fourth symphony, in which the typical
finale
is replaced instead with a song for soprano and orchestra from his Des Knaben Wunderhorn, and his eighth symphony, during which, as
several
surprising studies have shown, the methane output of the alto section
bests that produced by the remainder of the chorus and the entire
orchestra combined. This unexplained result, however, is
apparently less statistically significant during outdoor matinee
performances with
original tempos.
Though not specifically discussed
in the UN report, the problem studied in orchestras is believed to be
far worse in the world's concert bands, which can consist of more than
40% low-brass musicians.
The report goes on to warn
that the low brass emissions problem “needs to be addressed
with urgency” but also is optimistic that “major
changes in impact could be immediately achieved at reasonable
costs.” One possible option suggests that if
orchestras consider replacing just two Romantic-period works each performance
season with Classical-period ones a significant reduction in greenhouse
gases would be measurable by 2050.
Another
output reduction possibility, deemed highly impractical by some
experts, focuses instead on the input and requires changing
trombone and tuba players' diets from beer and chalupas to mineral
water and rice cakes.
Finally,
there are those
in the world who prefer to see this low-brass gas problem as a solution
of sorts by somehow using the
bio-by-product as a renewable energy source. Methane as a fuel is
plentiful, readily available and burns cleaner than coal or gasoline
making it far more environmentally friendly than most other traditional
energy sources. At this time, however, no
feasible method for capturing the useful gas from either end of a
low-brass player has yet been devised. At least not without
significantly and detrimentally altering the musician's tone quality.
Limited interest has been
shown in the rather unpleasant possibility of extracting methane directly from the intestines of deceased
low-brass players. One notable exception is Svenska Biogas, a Swedish
company involved in environmentally safe natural gas
production. However, to date substantial moral and ethical
obstacles remain.
As
humans continue to learn of the wide and varied ways in which our lives
impact the environment around us it is important to remember that old,
time-honored saying: The
first step
in solving a problem is simply proving that one exists at all. If
this is true then the winds
of change certainly seem to be breaking.
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